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Master Class: Live Sound 101

PRACTICAL TIPS FOR THE WORKING MUSICIAN

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Techniques / Oct 13, 2011 12:43PM

Learn Drums | Everyday Snare and Kick Tweaks

EQ PRESCRIPTIONS FOR ANY SONG STYLE

Techniques / Oct 13, 2011 12:43PM

Master Class: Show Me the Money

LESSONS ON SURVIVING IN THE NEW MUSIC ECONOMY

Techniques / Oct 13, 2011 12:43PM

Learn Recording | Rock the House

YOU MIGHT BE READING THIS IN THE PERFECT ECHO CHAMBER

Techniques / Oct 13, 2011 12:43PM

Learn Mixing | Mixing the Ultimate Lead Vocal, Part 1

TAKE YOUR TRACK WITH DYNAMICS PROCESSING

Techniques / Oct 13, 2011 12:43PM

Learn Live | Damage Control

EIGHT PRE-SHOW TIPS FOR TROUBLE-FREE GIGGING

Techniques / Oct 13, 2011 12:43PM

Five Digital Audio Myths Busted

Music as we know it has been destroyed by [insert bogeyman digital technology: Beat Detective, Auto-Tune, etc.]. No, lazy people misusing your bogeyman digital technology of choice have destroyed music as we know it.

Techniques / Oct 13, 2011 12:43PM

Ask, August 2011

Whether a multiband compressor is “better” or not depends on the application. With a standard, single-band compressor, any signal that exceeds the threshold—regardless of frequency—will trigger compression. For example, a strong kick drum could affect the cymbals and hi-hats. Multiband compressors split the signal into multiple bands (typically four or more), and each band has its own compressor. Compression can occur in one band independently of any other band.

Techniques / Oct 13, 2011 12:43PM

High-Tech Guitar Effects

WHETHER YOU'RE GIGGING OR RECORDING, TWEAK YOUR TONE TO PERFECTION WITH THESE NEW AMP SIMS AND ACCESSORIES

Techniques / Oct 13, 2011 12:43PM

Learn Power App | Apple Logic Pro 9

MULTIBAND PROCESSING MADE EASY

Techniques / Oct 13, 2011 12:43PM

Learn Composing | Junkie XL, Gaming the System

JUNKIE XL DEMYSTIFIES SOME OF THE BASICS OF SCORING FILMS AND VIDEOGAMES

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