By Craig Anderton | Mon, 01 Feb 2010
REALLY COOL TOOLS FOR AUDIO-TO-GO
From mics to monitoring to multitrack recording, we’ve unearthed some great
goodies for mobile audio.
Shure X2u XLR-to-USB Adapter($130
MSRP, $99 street; www.shure.com )
Got XLR mic? Got USB on your Windows
Vista/XP/7 or Mac OS X laptop?
Then plug the mic into the X2u, and
the X2u into a powered USB port—
instant USB mic. The X2u sports three
controls: mic gain, headphone volume
(there’s an 1/8" jack), and monitor,
which blends output from the
computer with the mic audio. There’s
also a +48V switch, peak LED indicator,
and USB activity indicator.
So how does it stack up to Blue’s
Icicle ($60 street) or CEntrance’s Mic-
Port Pro ($149 street)? The X2u has
better build quality than the Icicle,
which also lacks monitoring (there’s
only a gain control), has no phantom
power, and is about an inch longer. The
Icicle also uses a mini-USB jack,
whereas the X2u uses any standard
USB cable. For the extra bucks, the
MicPort Pro gives 24-bit/96kHz resolution;
the X2u tops out at 16/48kHz, and
Icicle at 16/44.1kHz. You can also
aggregate two MicPort Pros for stereo
recording, and if size matters, it’s the
smallest of the bunch—but it uses a
mini-USB jack, and while it provides
zero-latency monitor, blending needs
to be done in your software app.
So if you ever needed proof that
“you get what you pay for,” these three
prove it. The X2u is positioned exactly
between the Icicle and the MicPort
Pro, and for most people, provides all
the essentials for transforming whatever
mic you use into a USB mic—with
notable build quality.
Monster Turbine Pro Copper In-Ear
Speakers($299.95 MSRP, $270 street; www.monstercable.com )
We reviewed the Turbine Pro Gold earbuds
last issue, which are designed more
for high-end consumers. Within hours of
the magazine going to the printer, we
then received the Turbine Pro Copper
earbuds, which are designed specifically
for pro mixing—and they’re so good
they merit their own mention.
The differences between the two are
subtle, but significant. Gold emphasizes
low bass, with a little less high end;
Copper is more neutral overall. However,
this is not a night-and-day difference—
it’s more like the difference
between two excellent sets of speakers.
Like the Golds, the Coppers are
beautifully constructed (with a lifetime
warranty—that’s confidence!), and
exhibit the same imaging, detail, transparency,
and superb transient response.
However, the same caution applies to
both products: Selecting the correct tip
for your ear is crucial, so take the time
to check out all the options.
Can’t decide between them? If you
want to mix, have your MP3 player
sound transcendent, and truly enjoy
the movies on planes, go for the Gold.
You can easily learn to compensate for
any response differences. But if you’re
interested solely in the most accurate
reproduction when mixing (or even
mastering) with a mobile studio, the
Coppers get the nod. In either case,
these are astonishing transducers that
will cause you to re-evaluate just how
good “earbuds” can be.
Zoom H4n($549 MSRP, $300 street, www.samsontech.com )
Zoom’s H4n has nailed the portable
recorder. The sound quality is exceptional—
not just “good for a portable
recorder”—even with the internal condenser
mics, which you can rotate to
optimize positioning for close-up or
wide-field recording. When using your
own mics, there are dual “combi” XLR
mic/high-Z 1/4" ins (with phantom
power and a built-in mid-side stereo
decoder), and the H4n can record four
tracks simultaneously as well as overdub
and mix those tracks.
For “instant monitoring,” there’s a
built-in speaker. Battery life? Up to 11
hours if you don’t need more than 16-
bit/44.1 WAV or MP3 recording. Storage?
The H4n records to SD/SDHC
cards; a 32GB card (1GB is included)
means 15 hours at 24/96kHz or in MP3
mode, weeks of continuous recording.
A pre-record buffer covers you for two
seconds prior to hitting record, and
you can also trigger recording based
on level.
The H4n includes several extras, like
50 built-in DSP effects (including amp
sim emulation) and a variable-speed
phrase trainer; the USB 2.0 interface
isn’t just for transferring audio, but lets
the H4n serve as a cross-platform
audio interface or card reader . . . all in
a package only slightly larger and
heavier than Zoom’s H2.
What’s not to like? Maybe someday,
I’ll find something. But overall, the H4n
hits an undeniable home run—you
won’t find better at this price.