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Welcome to the EM Interview archives. See below for a convenient breakdown of the Interview categories.

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ProFile: Getting More From Less | Derby 

By Emile Menasché

Electronic Musician looks at the recording of Derby's Posters Fade CD, which the band produced using an old Apple Mac G4 and very few plug-ins...

ProFile: All the Pretty Algorithms | Gregory Taylor 

By Bill Murphy

Electronic Musician looks at Gregory Taylor's experimental production style, used on such albums as The Desert Fathers: Coptic Icons, PGT's Temporary Habitations, Amalgam: Aluminum/Hydrogen (Palace of Lights, 2007), and Two Maps of Danaraja (Stasisfield, 2008)....

Industry Insider | Q&A: Michael Aczon 

By Mike Levine

Electronic Musician's interview with music attorney Michael Aczon focuses on the changing legal issues for musicians brought on by changes in music technology...

InSession: Why Can't I Stop Listening to This? 

By Nathaniel Kunkel

Grammy-winning engineer Nathaniel Kunkel Writes About Listening to the Intricacies of Mixing the Songwriters Tour Album With Guy Clark, Joe Ely, John Hiatt and Lyle Lovett...

Dream Producers: The Orb 

By Bill Murphy

Electronic Musician looks at the recording of The Dream, the new album by ambient dub artists The Orb. The story includes interviews with Alex Paterson, Martin “Youth” Glover, and Tim Bran...

InSession: Good Times, Bad Times 

By Nathaniel Kunkel

Grammy-winning engineer Nathaniel Kunkel says that no matter how bad it looks right now in the music business, it will get better...

Pro/File: All in Good Time 

By Emile Menasche

Electronic Musician looks at the recording of Paul de Benedictis’s Quintets project, which was originally started using Opcode Studio Vision software and finished using Digidesign Pro Tools...

Pro/File: Fite's Flight of Fancy 

By Diane Gershuny

Electronic Musician looks at the recording of Tim Fite’s latest CD, Fair Ain’t Fair, which features sample based tunes and unusual instrumentation...

Industry Insider | Q&A: Anne Cecere 

By Fran Vincent

Electronic Musician's interview with Anne Cecere, BMI's Associate Director of Film/TV Relations, on the subject of music licensing...

Production Values: Keeping It Dynamic 

By Mike Levine

Outspoken would be an accurate term to characterize mastering engineer Bob Katz. He has strong opinions on many audio-related topics and is particularly...

Tracking in Lililand 

By Diane Gershuny

Electronic Musician's Pro/File column on the recording of singer/violinist Lili Haydn's new CD Place Between Places....

Pro/File: Guitars on the March 

By Emile Menasche

It's not every day that you can say electric guitar and John Philip Sousa in the same breath, but the music of the March King has helped pave the way...

Industry Insider: Q&A: Alan Friedman 

By Ravi

You may not think of yourself as a business owner, but if you're earning income as a self-employed musician, composer, producer, programmer, and so on,...

In Session: So You're Graduating? 

By Nathaniel Kunkel

I know quite a few of you graduating folk and as you finish music or engineering school, you probably have a few ideas about what's going to happen in...

Industry Insider: Q&A: Jordan Tishler 

By Ravi

In the contracted state of today's major-label record industry, having compelling music is no longer enough to convince a record company to invest in...

InSession: Is Surround Music Dead? 

By Nathaniel Kunkel

Okay, I get it. Surround music is on life support. Why won't listeners embrace this technology? For me, surround provides a more compelling way to hear...

Pro/File: Electric Motherland 

By Bill Murphy

If anyone has been privy to all the nuances of the word rebirth, it is Steve Reid. A drummer since age 16, he first made his mark in Motown on the Martha...

Pro/File: Chillin' and Thrillin' 

By Ken Micallef

Science for Girls is the brainchild of New York-based producer, bassist, and composer Darren Solomon. Though the band name may conjure images of young...

Victor's Home Cooking 

By Mike Levine

Victor Wooten is a musician's musician. Best known for his electric-bass work in the acoustic jazz fusion group Bla Fleck and the Flecktones, he is one...

Industry Insider: Q&A: Derek Sivers 

By Mike Levine

When it comes to the independent music scene, few people are more knowledgeable than Derek Sivers (see Fig. 1). He began his music career as a guitarist...

Pro/File: Mystic Voices 

By Bill Murphy

Signal and sample processing have progressed by leaps and bounds since the dawn of computer-based music, and Carl Stone is one of the privileged few who...

Pro/File: Trance Formation 

By Mike Levine

Producer, guitarist, and composer Michael Brook was looking for a follow-up to RockPaperScissors (Canadian Rational, 2006), a world music album that melded...

InSession: My Goodness, I Have Been Here 15 Hours 

By Nathaniel Kunkel

Why is it that we work longer hours with fewer breaks than we used to five years ago? Computers were supposed to make our jobs easier and quicker, so...

Pro/File: Lounge Fever 

By Bill Murphy

If you're a fan of the meditative side of jazz sometimes known as that Miles Davis pioneered and Nina Simone and Alice Coltrane expanded on, and you're...

In Session: Why Do My Headphones Suck? 

By Nathaniel Kunkel

In my opinion, few things are as important in the studio as performers' headphones. I can overcome a buzz in the system, and I can overcome bad converters....

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