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Sweetwater GearFest ’13 Wrap-Up

6/24/2013

 
Audio gearheads come from as far away as Japan for Sweetwater Gearfest.


 
Although AES, NAMM, and Musikmesse are among the biggest trade shows in the world for gear manufacturers, they're not open to the general public. Instead, they're a place where deals are made with distributors and new products are shown to the press.
 
Then there is Sweetwater GearFest. Now in its 10th year, the two-day event (June 21-22) takes the best aspects of an MI tradeshow—master classes, product demos, guest-artist concerts—and brings them to the public. But unlike the other tradeshows, GearFest attendees can buy what they see at a show-only discount price. My favorite examples were Shure SM57s priced at $57 and SM58s priced at $58. You have to physically attend GearFest to get these deals, which means traveling to Sweetwater HQ in Fort Wayne, Indiana. But the trip is worth it, and the prices and events attract people from all over the world. More than 7,000 attendees pre-registered, and I met visitors from Japan, Germany, and the UK during my visit.
 
 
 
 
 
 Dropping the bass in the Electronic Production tent.
 
The layout of GearFest '13 was remarkable: A dozen large tents were set up in Sweetwater's massive parking lot, each filled to the brim with gear. Manufacturer reps were on hand to answer questions and share production techniques. This year there were four Pro Audio tents, where you could find everything from mics and preamps to iOS-related gadgetry and digital storage devices. Two tents were dedicated to electric guitars, one to acoustic guitars, and one to drums. One of the largest tents, Electronic Production, was home to a variety of hardware and software manufacturers including Ableton, Moog, Korg, Line 6, Vestax, M-Audio, Native Instruments, and Arturia among many others. At the center of the tent was a DJ station where demos and concerts were ongoing throughout the weekend.
 
The reputation of GearFest has grown in influence to the point where major manufacturers launch products during the show. This year it was Avid, which announced the availability of Pro Tools 11. Not surprisingly, Avid had the highest visibility of any manufacturer at the event, with workshops stretching from 9:30 a.m. to 4:30 p.m. each day, on topics ranging from video post-production techniques using Pro Tools 11 to "Getting Studio Sound Quality Live" using the Venue console. I sat in on "Pro Tools 11 A-Z for Experienced Users" in the Russ Berger-designed Studio A control room and was knocked out by every aspect of the presentation—sound quality, vibe, and depth of instruction.
 
 
 
 
 
 Terry Bozzio's mammoth drumset was a big hit.
 
In addition, there were master classes by leading producers and engineers including Chris Lord-Alge, Frank Fillipetti, and Jack Douglas; performances by top musicians such as bassist Billy Sheehan, guitarist Brent Mason, and percussionist Terry Bozzio; and product-related workshops from PreSonus, iZotope, Mojave Audio, Vox, MOTU…just about every major brand that Sweetwater handles. There's no way to see it all in two days, but it was fun trying.
 
And if that wasn't enough, there was a flea market tent that brought in used products from regional attendees. That's where I found a 1920s, 28" Ludwig bass drum and matching concert snare (all with original calf heads), among tons of vintage amps and guitars. A few steps away, Sweetwater had its "open box" tent, where prices were slashed on demo units and closeout items of everything from Gibson and Fender guitars to stompboxes and digital interfaces. Attendees could also win new gear, with winners announced on an hourly basis.
 
This was my first time attending the Sweetwater GearFest, and it was so much fun that I'm already holding the weekends at the end of June 2014 open in anticipation of next year's event. It's not a bad way to spend the Summer Solstice.
 
 
 
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