Audio Insider
Online Monthly Pass

Register for an Account Forgot your Password?

Most Popular


The EM Poll


This is not a scientific poll but a tabulation of readers responses and is purely just for fun!

See Past Poll Results

pop_quiz_button

browse back issues

Newsletters

emusicianXtra icon
EMSoftware update icon
MET Extra icon
eDeals Newsletter icon


Subscribe to newsletters here...

Comp It Up

Feb 25, 2005 1:04 PM



         Subscribe in NewsGator Online   Subscribe in Bloglines

CURRENT NEWSSTAND ISSUE

Read the full Table of Contents for the issue on sale now! Click here

Subscribe for only $1.84 an issue!

Please tell us about yourself so we can better serve you. Click here to take our user survey.

Personal Studio Series

Mastering Steinberg's Cubase™

This special issue is not only a must-read for users of Cubase™ software, but it also delivers essential information for anyone recording/producing music in a personal-studio.

Click for more
EM Podcasts

Listen to these latest podcasts and more:
Engineer Chuck Ainlay on his mixing techniques. Go

What's New: Sony Creative sound library, Expanse Refill for Reason, more. Go

eDeals Newsletter for Discounts on Gear

Get First Dibs on Hot Gear Discounts, Manufacturer Close-Outs and Job Opportunities when you sign up to receive eDeals E-newsletter, sent twice a month. Check out an issue get advertising info or subscribe

A comp track is a single "best of" track that's put together from multiple takes of the same song. To assemble it, listen to the individual vocal takes and determine where the best performances of the various lines and sections are. Do this with a lyric sheet and pencil in hand, writing down the segments you prefer: verse one, take three; verse two, lines one through three, take two; verse two, lines four through six, take four; and so forth. Once you have your road map, you're ready to go.

On a tape-based system, bus all the tracks to a new track. Make sure the levels all match, roll tape, and "play" the comp using the channel mutes. Mute and unmute the various tracks as you go through the song to get the best performance onto the comped track. The great thing about this process is that it's completely nondestructive. If you screw up, the original takes will still be intact, and you can just try again. If you make a mistake halfway through, you don't have to start from the top; you can punch in on the comp track and pick it up from the line before your error. When you're done, listen to your newly created comp track and make sure you're happy with the performance and the levels.

If you're working on a hard-disk-based recorder, assembling a comp is even easier. I usually pick the track that is the best overall and simply cut from other tracks and replace sections in the master track. (I would recommend cloning the master track first so you have a backup in case you're unhappy with the comp.) You also have the luxury of doing subtle time shifting if you want to make rhythmic adjustments.

Next Page > TEN TIPS for Successful Vocal Recording >
Page 1, 2, 3, 5, 6

Get Copyright ClearanceWant to use this article? Click here for options!
© 2008 Penton Media, Inc.

Back to Top