Audio Insider
Online Monthly Pass

Register for an Account Forgot your Password?

Most Popular


The EM Poll


This is not a scientific poll but a tabulation of readers responses and is purely just for fun!

See Past Poll Results

pop_quiz_button

browse back issues

Newsletters

emusicianXtra icon
EMSoftware update icon
MET Extra icon
eDeals Newsletter icon


Subscribe to newsletters here...

TEN TIPS for Successful Recording

Feb 25, 2005 12:39 PM



         Subscribe in NewsGator Online   Subscribe in Bloglines

CURRENT NEWSSTAND ISSUE

Read the full Table of Contents for the issue on sale now! Click here

Subscribe for only $1.84 an issue!

Please tell us about yourself so we can better serve you. Click here to take our user survey.

Personal Studio Series

Mastering Steinberg's Cubase™

This special issue is not only a must-read for users of Cubase™ software, but it also delivers essential information for anyone recording/producing music in a personal-studio.

Click for more
EM Podcasts

Listen to these latest podcasts and more:
Engineer Chuck Ainlay on his mixing techniques. Go

What's New: Sony Creative sound library, Expanse Refill for Reason, more. Go

eDeals Newsletter for Discounts on Gear

Get First Dibs on Hot Gear Discounts, Manufacturer Close-Outs and Job Opportunities when you sign up to receive eDeals E-newsletter, sent twice a month. Check out an issue get advertising info or subscribe

1. Set up the studio environment to be as comfortable and relaxing for the singer as possible. Good ambience and good vibes will lead to a better performance.

2. Choose a microphone that's compatible with the singer's voice. Ask the singer in advance about mics he or she has had success with, and if you have that model available, use it. If you're not sure which mic to use, audition several before making a final choice.

3. Start out by positioning the singer four to eight inches from a condenser microphone, and one to two inches from a dynamic.

4. Use a pop filter to reduce plosives. Metal filters are the best choice, and mesh models are a close second.

5. Consider using an omni-pattern mic if the singer has trouble staying still while recording. An omni will help keep the vocal tone consistent. Omnis are also good in situations when you want to eliminate the proximity effect.

6. Set up a headphone mix that's comfortable for the singer. Take out unnecessary instruments that could muddy the mix and make it difficult to discern pitch.

7. Try using different combinations of mics, preamps, and mic placement in order to get the sound you want before you resort to EQ.

8. Use compression when recording to keep the dynamic range of the vocal in check. But be careful not to overcompress; you can always add more during the mix if needed.

9. Try to record complete takes whenever possible and keep the punching to a minimum. This will enable you to get a better, more natural performance from the vocalist. If necessary, make a comp track composed of the best parts of several takes.

10. Write down all settings, mic and preamp choices, and positioning information. If you need to rerecord any of the vocals at a later date, your notes will make it possible to recreate the original vocal sound.

Last Page < Comp It Up < Page 1, 2, 3, 4, 5, 6

Get Copyright ClearanceWant to use this article? Click here for options!
© 2008 Penton Media, Inc.

Back to Top