Audio Insider
Online Monthly Pass

Register for an Account Forgot your Password?

Most Popular


The EM Poll


This is not a scientific poll but a tabulation of readers responses and is purely just for fun!

See Past Poll Results

pop_quiz_button

browse back issues

Newsletters

emusicianXtra icon
EMSoftware update icon
MET Extra icon
eDeals Newsletter icon


Subscribe to newsletters here...

Battling Medusa 

BY KAREN STACKPOLE

The cabling spaghetti found in most personal studios conjures a present-day Medusa. But you can overcome Medusa without turning to stone if you follow the advice of experienced studio professionals. Here's how to avoid the most common pitfalls when making connections in any studio, no matter what its size....

The Shocking Truth 

By Scott Wilkinson

The secrets of electricity revealed. During the past 15 years, many fundamental music-technology concepts have been explained in Square One (originally...

Publish or Perish? 

By Mary Cosola

Should you sign a music-publishing deal or go it alone?...

MIXING in the Round 

By Mike Sokol

A wealth of choices can be a blessing and a curse. Wouldn't you know it? Just when recording engineers have mixing in stereo down cold, 5.1-channel surround...

Mixing with a Master 

Mike Levine

A session Eddie kramer. On a cold Sunday afternoon in New York City, legendary engineer and producer Eddie Kramer walked into the "SSL Room" at the SAE...

Cartoon cutups: Music Editing for TV Animation 

Erik Hawkins

The wacky undersea world of SpongeBob SquarePants, Nickelodeon's first original Saturday-morning cartoon, is officially a hit. Recently touted by TV Guide...

The Electronic Century Part IV: The Seeds of the Future 

Joel Chadabe

At the end of the 1960s, two distinct but parallel paths of technical innovation traversed the field of electronic music. One of the paths, leading toward...

The Electronic Century Part III: Computers and Analog Synthesizers 

Joel Chadabe

The recorder, which became commercially available around 1950, made possible a musical revolution because it allowed composers to record sounds and arrange...

Favorite effects tips from the trenches 

Nick Peck

Synthesizers and samplers are great for certain types of electronic and artificial effects, but I rarely use them for sound design. I find that there's...

To Tell The Truth 

Brian Knave

Listen in as eight affordable small-diaphragm condenser mics take the stand–the mic stand, that is!...

The Electronic Century Tales of the Tape 

Joel Chadabe

When tape recorders were introduced to the market around 1950, composers embarked on a musical revolution. Magnetic recording made it possible for them...

The Electronic Century PART I: Beginnings 

Joel Chadabe

As we enter the 21st century, electronic music is fast approaching its 100th anniversary. This is a good time to look at our roots and get to know how...

Recording Electric Guitar 

Myles Boisen

The electric guitar is one of the easiest instruments to record. Even a modest rig makes the engineer's job a cinch, offering plenty of level, a variety of easily adjustable tones, and an assortment of flavor enhancers....

Diva's Choice 

Larry the O

Arif Mardin is, quite simply, one of the foremost names in modern music production. Born in Turkey, he emigrated to the United States to attend Berklee...

Dance of the Dead 

Peter McConnell

In addition to creativity, producing music for games requires a keen sense of balance in negotiating aesthetic decisions, budget constraints, and technical...

Square One: Convolution Number Nine 

By John Duesenberry

Get in Sync 

By Dan Phillips

In this article, we’ll look at the basic concepts of synchronization and how they apply in the digital domain....

Electronic Euphoria 

By Jeff Casey

Working with electronic sounds has become an art form all its own. Combining synths and samplers to create a mix can be quite different from mixing acoustic instruments, and it can be just as tricky. Let’s take a look at some of the things you can do to create a successful mix of electronic musical instruments. ...

The Well-Tempered Studio 

By Geoffrey Goacher

By giving a little attention to the acoustics in your own studio, you can improve the quality of your mixes so that they compete with the best the majors have to offer. ...

CURRENT ISSUE

Look inside the current issue

Subscribe for only $1.84 an issue!


Engineer Chuck Ainlay talks mixing techniques (part 2). Go

What's New: Big Fish Audio Found Percussion, Native Instruments Kore Kontakt Retro Machines, Humanioid Sound Scanned Synth Pro 2, and FAW Circle.Go


eDeals Newsletter
Get First Dibs on Hot Gear Discounts, Manufacturer Close-Outs and more. Check out an issue get advertising info or subscribe

Back to Top