By | Tue, 01 Jun 2010
Recording vocals can be a challenge—
even if you’re experienced. For the
singer, preparation, technique, and
energy are critical. On the production
side, understanding how singers
work—as well as what you can do to
help them deliver brilliant performances—
are essential skills. But
whichever side of the glass you’re on,
these 12 tips should guide you to fruitful,
dynamic, and inspired sessions.
See the Coach
Working with a vocal coach prior to
recording is always a good idea. Go
through the material you’re going to
record, and listen to the coach’s feedback
on pitch, phrasing, stamina,
breathing, and so on. The goal is to
remedy any potential vocal problems
before you stand in front of those
sexy studio mics.
Do Preproduction
Work out the song so that the lyrics,
timing, phrasing, and breathingare
rock solid before you start recording.
This sounds so obvious, but many
singers and producers blow this step,
and the result is often a performance
that’s less than what it could (or
should) be.
Choose the Right Key
A half-step up or down can make a
huge difference in whether a singer
can deliver a great performance. Try
the song in at least three keys: the
key you think it will work in, a half
step higher, and a half step lower.
Warm Up
Most singers typically need 45 minutes
to an hour to warm up their
voices enough to cut a good vocal.
Matt Forger— who engineered
Michael Jackson’s Thriller, Bad, and
Dangerous albums—advises, “Do
vocal exercises so that your voice will
sound up to par right from the beginning
of the session.” I like to sing
scales in an octave sequence up to
my high end, and then sing the chorus
of the song I’m about to record to
see if my voice feels completely comfortable
and free. Remember, unlike
guitarists or keyboard players, the
singer’s body is their instrument, so
make sure the vocalist is in his or her
“peak-performance zone.”
Do a “Flight Check”
Before you press the Record button
at the session, make sure the singer is
prepared mentally, physically, technically,
and emotionally to give a great
performance. “Recording is a psychological,
as well as a technical process,”
notes Buddy Halligan, chief audio
engineer for USC’s School of
Cinematic Arts. “The producer/engineer
needs to understand that they
need to make the singer feel comfortable
and confident, so that they
can deliver the best vocal possible.”
Freshness Counts
Don’t make the vocalist wait for other
instruments to be tracked before
you start on the vocals. The singer
may get tired or distracted, and lose
the energy required to cut a great
vocal track. Always schedule a separate
date that focuses solely on the
vocal tracks.
Watch Your Mouth
Take caution and only drink water or
tea. Recently, I had a bite of chocolate
before I sang a track (I couldn’t
resist), and the engineer “heard” the
change in my vocal tone. Ouch!
Happily, the antidote was taking a
bite of a green apple.
Mic Selection
Microphones bring out different textures,
timbres, and overtones. Try a
least three mics for reference, and
choose which one sounds best. Don’t
make the selection based on the
price or model. (Don’t laugh—some
musicians go for the most expensive
mics whether those mics enhance
their voice or not.)
Headphone Techniques
First, you need a good headphone
mix to ensure the singer can feel
the music. A vocalist shouldn’t start
singing until he or she is 100 percent
happy with their mix. If the
headphones kick in a feeling of
claustrophobia, go for the one earpiece
on/one earpiece off method.
This approach lets you hear both
the track and the sound of your
voice in the recording space.
Additionally, you can cover the
“free” ear to tap into bone resonance
if you need to hear your
voice clearer.
Have a Road Map
Put a lyric sheet on a music stand
and use it to make notes—including
breath marks. The engineer and producer
should have copies, as well, so
that they can notate pitchy parts,
lyric goofs, technical misfires, and
any other problems. When everyone
is on the same page, so to speak, the
chore of fixing less-than-stellar
moments in the vocal performance
is much easier.
Helpful Feedback
Make sure that all vocal instructions
are clear and specific. This is where
constructive criticism comes in.
Negativity only makes things worse.
Be Realistic
The recording process will always
take longer than you think. You may
want to cut three lead vocals and all
the harmonies in one four-hour session,
but the goal is to cut an amazing
vocal, not check off objectives on
a to-do list. In short, don’t choose
quantity over quality.