Music business blog extraordinaire Digital Music News has published some interesting graphics based on Google's new analysis of topics, which is still in its beta stage. The graphs show the measured interest in musical genres from 2005-2015, and every analyzed genre is down except for electronic dance music, which went sharply up, especially since 2013. Interest in rock, hip-hop, classical, jazz, blues, metal and disco (?) is all sharply down since 2005. Pop music popularity is also down, but only slightly so. It should be noted that interest in EDM seems to have peaked some time in 2014, and has gone just slightly down since then. See all the charts on the Digital Music News post.
The synthpop duo talk about crafting their second album, Dynamics, in which songs were tied intrinsically to sounds at each step of the production process
LIKE THE musical equivalent of finely aged, artisanally crafted wine, Neil Davidge’s work transcendsthe proclivities of generations, genres, and trends; it’s gourmet music.
Sounding like MGMT has become a musical genre of its
If you’re ever lost in New York City, Matt
How the electronic pioneer made the best of metal, concrete, voices, and handheld recorders to create the dark theater of his latest album
Sean Lennon and Charlotte Kemp Muhl dig deeper into their psychedelic studio techniques
Costello, Questlove, and engineer/producer Steven Mandel reveal the process of making their groove-laden, song-driven, totally new, occasionally familiar-sounding album, Wise Up Ghost
Award-winning pop master writes the songs that the whole world sings, because no one sings along to production
TIM BERGLING was born in Sweden, also home to ABBA, Ace of Base, Max Martin—a long tradition of impeccable dance-pop producers stretching to Eric Prydz and Swedish House Mafia.
JASON MILES has enough credits to fill a few careers.
“Early Chicago and Detroit house was made
“We’ve always been record
There they were at the Metropolitan Museum of Art, the So Percussion ensemble performing
Inside the 'Traces of You' Studio Sessions
ON EL CAMINO, DAN AUERBACH AND PATRICK CARNEY TAKE A MINIMALIST RECORDING APPROACH FOR A BLUESY, '60S-STYLE "HI-FI" SOUND
An exhilarating collision of innovative recording techniques
Nick Littlemore is looking to get disciplined.
Guitar, Grit and Gut Decisions
JOEL ZIMMERMAN spends the better part of his year with a huge smile plastered across his face.
In the video for the first single from Paradise Royale, a character played by DJ Cassidy, discouraged after a break-up, wanders into a hat shop,where the proprietor offers him a straw boater.
22nd-century trip-hoppers record Head Up High, thanks to Rupert Neve, Robert Moog, and Extra Sleepers Silent Way
Engineer/producer Ryan Freeland (Bonnie Raitt, Ray LaMontagne, Carolina Chocolate Drops) is mixing an upcoming album for the Barr Brothers, an alt-rock band led by Brad and Andrew Barr.
MAMMAS, DON'T let your babies go down to Ibiza.
Speak to any member of Scottish post-rock quintet Mogwai, or the band’s producer, Paul Savage, and they will admit that there were periods that were total horror shows while developing the band’s eighth studio album, Rave Tapes (Sub Pop).
HOTEL VALENTINE—the first album from the duo of Yuka C. Honda and Miho Hatori since 1999 (and their third album overall)—reverberates with the beliefthat motion-capture isn’t solely a visual technique, and the joy in puzzles is asmuch about the unpacking as it is the solution.
As a purveyor and creator of electronic music made from cold, hard machines—as well as a Berliner who grew up in East Germany before the wall came down—Paul van Dyk isn’t usually pegged as the sensitive type.
On White Women, the Canadian duo explore new musical influences and sound design tricks, yet maintain their modern electrofunk sound.
VETERAN PRODUCER Jay Joyce has pushed the faders for The Wallflowers, Emmylou Harris, Patty Griffin, and Little Big Town.
What if you had a nervous breakdown and instead of hiding out, you bared your ravaged psyche for the world to see? An inventive artist perpetually fired by exploration and soul, Neneh Cherry documents her recent highs and serious lows on Blank Project (Smalltown Supersound).
What would happen if a modern alt-rock band made a record inspired by Peter Gabriel’s 'So' and Kanye West’s 'Yeezus'?
PAUL OAKENFOLD’S DJ/production CV is as thoroughly charged as his self-styled “full-on fluoro” sound, an energetic bombardment of big-room electronic dance music anthems, underground bangers, and filmic swatches.
The dubstep master reflects on his skyrocket to stardom
MIDNIGHT SUN, the fourth album from Sean Lennon and Charlotte Kemp Muhl, aka The Ghost of a Saber Tooth Tiger (GOASTT), is a psychedelic fun house of MagicalMystery Tour proportions.
MC/Producer Talks about Recording 'Born Sinner'
On Olympia, the Toronto sextet and producer
The electronica diva returns to her tech training and classical roots in studio sessions in Berlin and the Czech Republic.
“Let’s throw 20 at it” sounds like a
It is the opinion of Laurent “Branco” Brancowitz that the best music kind of stinks.
THERE’S AN enduring tale that goes something like this: Seattle-based grunge rockers Alice in Chains
“It’s not a specific kind of sound that we’re creating; it’s something I think we’re still in the process of inventing,” says Zooey Deschanel’s producer, collaborator, and friend M. [Matt] Ward about their musical project, She & Him.
AFTER THE 2008 car accident that sidelined Deftones bassist
Since reinventing himself as a songwriter for hire, former Semisonic singer/guitarist Dan Wilson has been on quite a roll.
When planning his fourth solo album,Sunken Condos, Steely Dan’s Donald Fagen knew he wanted a warm, rich sound,