Universal Music and TikTok end dispute with “multi-dimensional licensing agreement”
The companies say that they’ll work together to protect “human artistry” from the threat of AI-generated content
The companies say that they’ll work together to protect “human artistry” from the threat of AI-generated content
Deftly side-stepping the subscription saga, we spent some quality time with Minimal Audio’s dexterous flagship. Here’s our findings…
Authorities were quick to lift the lid on his deception and crack the case
Bass Dizi, Xiao, Pipa, Guqin, Yangqin and Erhu multisamples meet multiple synth engines
We sat down with the brains behind Beat Scholar, EON-Arp and the new Time-Oddity Chorus
Watch him taking a ride in Air Force Oxygene
We walk you through how to nail vocal processing using Logic's EVOC-20 Vocoder
Fancy adding some analogue impurity to your DAW? It's time to turn on, plug in and freq out…
Manipulating samples into abstract new forms, Catching Flies has emerged with a creative identity all of his own. We sat down with the producer to find out more about his latest release, Tides
“It’s just knowing how far you can push something before it loses its musicality,” says the man who finessed Miley Cyrus’s Flowers
Knowing where to use vocal processing could make or break your track. We take a look at where you might choose to add some electronic vocal colour
Never mind AI, we’re getting the robots involved in production, as we demystify vocoders, talkboxes, hard-tuning and harmonisers!
“It was turning into this arena-sized highly commercial thing, which wasn’t what I wanted to do, and the whole EDM festival thing felt super whack to me,” he says now
“It’s like the fans just decided: ‘No, this is your hit song’”
Just like the astrological sign Gemini, UK company UDO’s “bi-everything” synth is double the fun
The company says it’s worth $99, but you can have it for nothing
Shake It Off is “all sung one or two notes going up and down,” he says
Do you know which synth or preset she could have been thinking of?
“A lot of people ask why I don’t use the Neve on her," says Stuart White. "And I love the Neve on vocals, don’t get me wrong, but the Neves tend to crackle when you turn the pre gain”